Isthmus

Rotorua’s new lakefront boardwalk opens.

Karakia marks opening of the new lakefront boardwalk and terracing as part of world-class lakefront redevelopment in Rotorua.

The ceremony was led by Ngāti Whakaue representative, Bryce Murray, with representatives from project partners Ngāti Whakaue, the Gifted Reserves Committee (Pukeroa Oruawhata Trust), Te Arawa Lakes Trust and Kānoa – REDIU, the New Zealand Government’s regional economic development and investment unit.

Rotorua Mayor Steve Chadwick says the karakia signals the completion of another stage of this important project and acknowledges the joint effort of partners to redevelop the lakefront for the long-term benefit of the community.

The new lake edge provides a fresh and innovative space for the community to spend time with friends and whanau or picnic on the new terracing. The terraces also provide protection from changing lake water levels and weather damage and will reduce the risk of erosion. To read more about the design click here.

“It’s wonderful to have reached this very exciting milestone and I can’t wait to see our community enjoying it over the school holidays and in years to come.

The boardwalk is the first of five stages to be completed. Other stages currently underway include the new playground extension, a new toilet block, continuation of the new shared path towards the western end of the lakefront, grass terracing and landscaping, all of which are scheduled for completion by the end of 2021.

Auckland’s world-class waterfront opens.

On Friday the 2nd of July 2020, Auckland’s Downtown Programme was completed and celebrated, with Prime Minister Jacinda Ardern in attendance to mark the occasion.

We are proud to have been involved Te Wānanga and Te Ngau o Horotiu, two of the six projects delivered by the Downtown Programme, which has created a generous and welcoming destination along the water’s edge that is recognisably Tāmaki Makaurau.

The Downtown Programme represents a $350 million investment by Auckland Transport and Auckland Council, $42 million of which was provided by the government. The new spaces are designed to strengthen people’s connection with the Waitematā Harbour – a vibrant, transformed environment for all to enjoy.

Six new ferry piers form Te Ngau o Horotiu, built on the east side of Queens Wharf. These new piers are designed for patronage growth and the future introduction of electric ferries. “Te Ngau o Horotiu provides improved accessibility and greater operational flexibility, providing a better customer experience for the 4 million people who use it each year,” says Mayor Phil Goff, “the creation of the new waterfront Te Wānanga space makes our waterfront and downtown area absolutely world-class.”

Speaking of the projects Isthmus founding director David Irwin says “Te Wananga and Te Ngau o Horotiu point to future vision for Auckland. They look to a future city called Tāmaki. One that respects the histories of the place and regenerates the mana of its ecologies. They attempt to give back the health and well-being of the place and the people. The forms reflect these new directions. They step us forward while looking backwards with respect for our past. Into the future.”

Images courtesy of Auckland Transport.

Matariki 2021.

Mānawatia a Matariki e te whānau!

On the 1st of July our three studios in Tāmaki Makaurau, Te Whanganui-a-Tara and Ōtautahi celebrated the rising of Matariki. Our whānau came together and celebrated Matariki over kai, shared stories and generally gott to know each other a little better. Every studio had its own spin on the night but we were all connected by the Kaupapa of reflection and sharing.

Matariki is a time of the year where our whānau and friends come together to reflect on the year been and look towards the year ahead. Isthmus has been celebrating this annual event since 2010. Every year we deepen our commitment to mātauranga māori by creating opportunities within our whare to connect with the community, culture, and place. We do this through kai, kōrero, waiata, manaakitanga and whanaungatanga.

We have dinner together and our own public holiday because it is part of our culture as a studio, and a sense of belonging and connection is important. We build on this tradition every year because it celebrates who we are as an Aotearoa design studio.

Me mātou ki te whetu, I mua te kokiri o te haere
Before you set forth on a journey, be sure you know the stars.

Te Kāpehu.

Land People Culture permeates everything we do to authentically elevate a holistic approach—connecting the health and integrity of people and culture with the health and integrity of the environment. Our Isthmus tikanga uplifts our values, guiding our actions as people and as a design practice to acknowledge Te Tiriti ō Waitangi, engage with mātauranga māori and connect with place through local partnerships.

Te Kāpehu is a navigational design tool developed by Isthmus. It is for making conscious choices about how our projects can uplift the mauri of people and the environment in Aotearoa. Based on national and international sustainability indicators, it is a graphic tool that focuses on using our transparent design process to influence healthy environments for healthy people.

We can set aspirations for impact through the project, and hold ourselves accountable as a design team for how well we fulfilled those aspirations alongside our clients and collaborators. Impact is revisited and evaluated several times throughout a project lifecycle—from commencement to completion. That way we are continually tracking and evolving our knowledge and implementation of sustainable and regenerative practices as a Design Studio. The results then feed back to our Toitū Enviromark accreditation.

Te Kāpehu is collaborative. For every project, at least two people score project aspirations using the Compass indicators, and moderate the scores accordingly. A ‘champion-network’ group traverses disciplines and specialisms to guide use of the tool, and embed learning and development as an iterative process. It generates discussion about what project types and sectors are able to achieve and where the limitations lie, mapping the balance across the four P’s—purpose, profit, planet and people.

The compass points represent where our design process and the subsequent built environment can most influence beneficial outcomes in Aotearoa, benchmarking against MFE Environment Aotearoa 2019, The Treasury Wellbeing Indicators and The United Nations’ 17 Sustainable Development Goals (UNSDGs’s).

Transparent project impact measures are key to open communication and a shared vision. Within project teams we grow diversity and relationships that enable us to challenge, test, influence and evolve beneficial outcomes for communities and for the environment. Te Kāpehu is the Isthmus way of committing to kaitiakitanga in Aotearoa—as we explore the potential of this tool we will share more about our discoveries.

Mauri ora!

Toitū Envirocare.

Land People Culture permeates everything we do through sustainable and regenerative practices to help the environment, promote biodiversity and design for resilience. We elevate mauri as the holistic measure of sustainability in Aotearoa—connecting the health of people with the health of the environment.

For a couple of years now, our business operations have achieved Toitū Enviromark Gold standard accreditation. Toitū’s sustainability benchmarks are a great fit with our values, and it is absolutely worth the time it takes to pull together evidence for the annual audit. Because it is externally managed through Toitū Envirocare, it legitimises the actions and initiatives we take as a company to reduce our environmental impact. It is a group effort—we make a plan, set goals, monitor and review them with our EMS (Environmental Management System). Everything counts—our bike culture, paper recycling, honey bees on the studio roof, using city car-share schemes and other smarter transport choices, planting days and koha, waste and energy reduction … all that and much more.

This commitment includes recording our project based efforts as measurable goals against the four P’s—purpose, profit, planet and people, which is where Te Kāpehu—the Isthmus Project Impact Compass comes in (you can read more about this in a future post).

It goes back further though. As a business we have been ‘giving back’ to the environment for more than a decade, offsetting our carbon footprint through the Isthmus Environment Fund (IEF). We use a carbon calculator to capture and offset—by investing in carbon sequestration aligned with our kaupapa of Land People Culture. A good example is our ongoing relationship with the Motuihe Trust, a conservation project on Te Motu-a-Ihenga (Motuihe Island) that has been close to our hearts for eight years now. Every year, Isthmus whānau board the boat to Motuihe and spend the day potting in the nursery or out restoration planting to enhance biodiversity in the catchment we look after. Kaitiaki Kiwi in Waipoua Forest is another worthy initiative we have contributed to.

Isthmus has now gone a step further and is also proud to have joined the Toitū Carbonzero certification programme. This will enable us to verify our carbon footprint and offset this through accredited carbon credit projects, alongside continuing our continuing mahi with Motuihe Trust and other biodiversity projects.

Through our mahi—our project work, studio resources and personal time, we continue to invest in the future of Aotearoa for generations to come. We have aligned our values with Toitū and continue to ramp up our efforts to take Isthmus beyond achieving Carbon Zero toward becoming a climate beneficial business.

Mīharo Sean!

Exhibits, anecdotes and oddities.

Earlier this week on the the 1st June we hosted an evening of kōrero, with exhibits, anecdotes and oddities from Sean Burke’s first two decades at Isthmus.  

Sean joined Isthmus as a graduate landscape architect in 2001 and has grown and evolved over the years in pace with the studio’s transformation from a small landscape architecture practice into an integrated design studio. 

A champion of the holistic view of land, people and culture—noted keeper of the project vision—Sean has a big reputation as a considered designer. Through his body of award-winning work Sean has advanced conversations of place, identity and human experience in Aotearoa.  

To mark this epic contribution Sean was awarded Study Leave—two extra weeks off and $2k expenses to gain new knowledge and fresh inspiration.  

Mīharo Sean!